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Voodoo Macbeth

When we [Orson Welles and John Houseman] did the Voodoo Macbeth, it was very successful, and we got very nice reviews except from a few die-hard Republican papers. Percy Hammond wrote a perfectly awful review saying this was a disgrace that money was being spent on these people who couldn’t even speak English and didn’t know how to do anything. It was a dreadful review but purely a political review.

We had in the cast of
Macbeth about twelve voodoo drummers and one magic man, a medicine man who used to have convulsions on the stage every night. They decided that this was a very evil act by Mr. Hammond, and they came to Orson and me and showed the review. They say, “This is bad man.” And we said, “Yeah, a helluva bad man. Sure, he’s a bad man.”

The next day when Orson and I came to the theatre, the theatre manager said, “I don’t know how to tell you this, but there were some very strange goings-on last night. After the show they stayed in the theatre, and there was drumming and chanting and stuff.” We said, “Oh, really?” What made it interesting was the fact that we’d just read the afternoon papers. Percy Hammond had just been taken to the hospital with an acute attack of something from which he died a few days later. We always were convinced that we had unwittingly killed him.